After researching archival footage, Jackson collaborated with Fisher on an ingenious way to safely approximate the bomb’s impact. Robert Oppenheimer ( Cillian Murphy) and his fellow scientists. There, filmmakers sought to mimic the 1945 atomic blast supervised by J. The workshop sessions yielded vivid visuals evoking subatomic and intergalactic realms, but the movie’s big Trinity test recreation materialized larger than life on the “Oppenheimer” set in New Mexico. Then I come in trying like five different things at the same time, over here, over there.” Jackson, speaking from his home in Sydney, wryly notes, “The guys who work in Scott’s workshop are engineering, so it’s a precise, organized, tidy sort of world. Fisher in Los Angeles and embarked on weeks of fervid experimentation. To that end, Jackson convened with special effects supervisor Scott R. One big challenge: Jackson needed to construct physical visualizations of subatomic activity leading up to the world’s first thermonuclear bomb explosion. “It forces you to find solutions that you wouldn’t necessarily come up with in the CG world, where anything is possible.” “Chris said it was important to capture the images on film, and I like constraining the creative approach within these limits,” Jackson says. Still, when Nolan sent him his “ Oppenheimer” script two years ago, Jackson had no idea that he’d soon be tinkering with highly explosive chemicals, ping-pong ball simulations and giant vats of pellet-filled water. Andrew Jackson won a visual effects Oscar for Christopher Nolan‘s “Tenet” and supervised the VFX for “ Dunkirk,” so he already knew about the director’s passion for capturing spectacle “in-camera” rather than relying on computer-generated imagery.
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